I had the opportunity to photograph The Parlour Social, an amazing Canberra-based traditional jazz band. The most interesting part of this particular jazz photography was having the chance to photograph piano playing, which a rarity for me. However, the stage was so small and the Café so crowded which moving behind the piano or changing position as I liked was impossible, so I used a limited set of locations which I could hide and be less of a distraction and photograph. Canon 5D MKII shutter sound was at the threshold of being of noticeable, which was something new to me because my jazz photography experience with Canon 5D is mostly limited to big bands which are loud enough for suppressing the loudest shutter sounds. Perhaps a camera with a quieter shutter sound or an electronic shutter is more suitable for these environments. The light was adequate most of the time, so there was no focusing problem and use of extreme ISO levels, which is common in jazz photography.
On the technical side, this event coincided with the introduction of Canon EOS 5D Mark IV, which has amazing specs and looks like a very balanced camera just like it’s predecessors. It’s amazing that even the old 5D MKII is so good that having the minimum light and paired with the right L lenses, there’s very little left to be desired technically. Being a Nikon user, I personally really like to try the 30 megapixels sensor and the more advanced AF system in the reliable and ergonomic chassis of 5D, provided that all this be paired with a near silent shutter.
Thanks to Robbie Hugh Mann of The Parlour Social, Tim Benson and Smith’s Alternative for help making this to happen.